Carlos Salem is like the Iberian pork loin and the editorial
Talentura hash is like a fucking tomato aliñaó,
is merely the result of much love and work of all the people who have something to say, and format is poetic or dramatic narrative ... both the writers as they publish, such as advising or help to give a rounder shape to work.
The special feature on this occasion as I have seen has been that creative work group has been counting on the valuable work of the director of the company that has represented this great work: Mary Suanzes.
The torturer arrepentido, es una obra subversiva no sólo por el tema que trata y como dice Salem: ¿qué es mejor ser torturador o torturado? Si no porque dentro de un contexto político adverso y en relación con lo dictatorial, aborda otro contexto, el personal, en el que ética y deber se enfrentan, y a veces el miedo es el que gana la partida. Temas como la obediencia, la ignorancia e incluso la imaginación, juegan papeles decisivos en este teatro, que a veces en su lectura te transporta a una celda, o a un cuarto oscuro iluminado por una lámpara halógena, donde los sentimientos capturados llegan a ser intemporales y a la vez necesariamente resolvibles. El personaje principal tiene un tema que resolver a la par que se resuelve a sí himself in his own life puzzle.
Regarding the staging (which I have not seen and I fliparía see), stressed the coexistence of past and present stage that makes the hair stand on end. Who we are, in essence, and what we leave ourselves despite our flesh to avoid being vulnerable. Or: how many excuses we can make to feel better about ourselves.
On the other hand, seems to me a great view of Charles, when at the end of the work explains why torturer has not elected a classic that will never repent. No. He looks for a person that deep down knows he has to get in trouble, you talk to your other self through a hollow mirror, and what is the hole? That part of you that do not connect their actions with their beliefs. Amid all this carnage of guilt and remorse, we have to save something, save something and something seems different.
I mean, the repentant torturer I devoured intrigued and immersed in the frightening story of the two main characters and seeing also how they cling to the memory of a female figure to make sense of revenge that has to happen for the circle is closing, when what it is human contradiction and irrationality that lies within the rational.
nothing else, I encourage you all to read and I hope you enjoy it as much as me. I hope this is the beginning of a great friendship towards the theater and cooperation that has emerged as a team.
